Chloe Dagenais
About Chloe Dagenais
Her work in digital music rights began during her master’s thesis, where she developed the proof-of-concept for a streamlined music catalog management system, a project that laid the foundation for MusicTeam®. Recognizing the industry’s need for better metadata accuracy and artist-driven solutions, she officially founded MusicTeam® in 2020 to empower music creators through self-serve tools.
Beyond her role as Founder and President of MusicTeam®, Chloé actively contributes to industry discussions on metadata integrity, rights management, and the future of music technology.
Explore insights into music catalog management, music distribution, music registrations and the ever-evolving intersection of music and technology.
How to release an album: music release strategy use case Releasing an EP is a big project. We’re going to walk through each of the three main phases, from pre-release planning and promotion to launching and following-up, using fusion [...]
Music distribution vs music publishing: what’s the difference? Music publishing and music distribution are two separate but related parts of the music industry. The main difference between the two lies in what they do, and how they help you [...]
How to prepare your music for 360 Reality Audio and Dolby Atmos Spatial audio gives your music an edge, and artists who choose to prepare their work in this format can create special appeal by providing their listeners with [...]
Music catalog: definition, purpose & value A music catalog is an organized collection of music assets and their associated metadata that is easily accessible on a single digital platform. Your catalog can include compositions, studio recordings, tracks, arrangements, beats, [...]
The spatial sound advantage: how indie artists can access spatial audio Spatial audio goes beyond traditional stereo, and it’s rapidly redefining how listeners engage with music. For independent artists, this shift isn't just about a richer sonic experience; it's [...]
What's the difference between a performer and an artist for royalty collection? Understanding the difference between an artist and a performer is key when it comes to getting paid what you are owed. In general, the distinction between an artist and [...]
Catalog management vs. distribution: what's the difference? Music catalog management and music distribution are distinct but interconnected processes within the music industry. Both are necessary if you want to get your recorded music in front of audiences and effectively [...]
Musical works vs. sound recordings: two types of music assets Knowing the difference between a musical work and a sound recording makes it possible to assign the right metadata to each of these important music assets. In fact, it’s [...]
ISWC vs. ISRC: Which one do you need? ISWCs and ISRCs are two music unique identifiers that you need to know about if you are a professional artist. They are the codes that differentiate your compositions and recordings from [...]
How are mechanical royalties and performance royalties different? Mechanical royalties and performance royalties might seem similar at first glance. However, they are not the same thing, and sometimes the details can be confusing. Understanding these differences is crucial for [...]
