Chloe Dagenais

About Chloe Dagenais

Chloe is the Founder and President of MusicTeam®, a self-serve platform revolutionizing music catalog management, registrations, project delivery and distribution for music makers. With a background in information systems, she specializes in building technology-driven solutions that help artists, musicians, engineers and rights holders manage their music more efficiently. 

Her work in digital music rights began during her master’s thesis, where she developed the proof-of-concept for a streamlined music catalog management system, a project that laid the foundation for MusicTeam®. Recognizing the industry’s need for better metadata accuracy and artist-driven solutions, she officially founded MusicTeam® in 2020 to empower music creators through self-serve tools.

Beyond her role as Founder and President of MusicTeam®, Chloé actively contributes to industry discussions on metadata integrity, rights management, and the future of music technology. 

Explore insights into music catalog management, music distribution, music registrations and the ever-evolving intersection of music and technology.

  • Can you switch distributors or use multiple ones? Distribution is vital in the process of sharing music to the world. Any artist who wants to make a name for themselves needs a music distributor to advance their career.  But [...]

  • All about immersive audio and its impact on music production For independent artists right now, there’s no hotter creative zone than immersive audio. Forget everything you know about just panning left and right; formats like Dolby Atmos and 360 [...]

  • The music streaming economy: how it works In just over a decade, streaming has fundamentally reshaped the music industry. It’s a shift that has been both praised for its convenience and criticized for its economic model. Gone are [...]

  • 5 Steps to getting paid as a songwriter-producer-performer The digital age has democratised access to the distribution and marketing of music. Today, this democratisation of music commercialisation allows independent artists to undertake the distribution of their music freely. Thanks [...]

  • The Writer’s Share vs. the Publisher’s Share A brief history of Music Publishing and Performing Rights Organizations (PROs). The goal of this article is to first provide a brief historical background on the infrastructure built around the administration of [...]

  • What do Canadian artists need to understand about copyright? Independent artists need to know how copyright works in order to protect their rights to their own work, and effectively navigate the process of making a living within the music [...]

  • The Cultural Discourse of Music is Evolving Metadata, discoverability, and the digital value chain are at the heart of the discussion. Music industry business models are being transformed by technology initiatives in an effort to achieve greater transparency in the [...]